Contrapunctus 9 (A 4) Strings (Double Fugue - All Duodecima). C2. Contrapunctus 10 (A 4) Strings, Woodwinds (Double Fugue). C3. Contrapunctus 8 (A 3) Strings, Woodwinds (Triple Fugue). C4. Contrapunctus 17 Harpsichord (Canon Alla Duodecima In Contrapuncto Alla Quinta). Oboe – Helmut Winschermann (tracks: A1-C5). Oboe d'Amore – Ingo Goritzki (tracks: A1-C5). Sleeve Notes – Peter Willemoës (tracks: Peter Willemoes).
Composed By – Johann Sebastian Bach. Orchestra – New Century Saxophone Quartet. Performer: Johann Sebastian Bach. Album Title: The Art Of Fugue. Label: Channel Classics – CCS SA 20204 Type: SACD, Album, Hybrid, Multichannel Country: Date of released: 05 Nov 2004 Category: Classical Style: Baroque. Free Download Johann Sebastian Bach, New Century Saxophone Quartet - The Art Of Fugue. Related Tracks or Albums.
Johann Sebastian Bach (Composer), Helmut Winschermann (Conductor, Performer), Vasil Kazandjiev (Conductor), Max Pommer (Conductor), Hermann Max (Conductor), Ralf Otto (Conductor), Kenneth Sillito (Conductor), Peter Marschik (Conductor), Academy of St. (Orchestra), Stuttgart Philharmonic Orchestra (Orchestra), German Bach Soloists (Performer), Sofia Soloists Chamber Ensemble (Performer), New Bach Collegium Musicum Leipzig (Performer), New Leipzig Bach Collegium Musicum (Performer), Wolfgang Basch Trumpet Ensemble. 7. Die Kunst der Fuge (The Art of the Fugue), for keyboard (or other instruments), BWV 1080: Contrapunctus 9. 8. Minuet for keyboard No. 36 in D minor (AMN II/36; doubtful), BWV Anh. 132. 9. Concerto for violin, strings & continuo No. 2 in E major, BWV 1042: 1. Allegro.
By Johann Sebastian Bach - Helmut Winschermann, Christian Altenburger & German Bach Soloists. 4. Prelude in C minor, BWV 999. By Johann Sebastian Bach - Franz Just. The Art of Fugue, BWV 1080: Contrapunctus 9 a 4, alla Duodecima (arr. for string orchestra). By Anonymous & Johann Sebastian Bach - Max Pommer & New Bach Collegium Musicum Leipzig. 15. Concerto for Harpsichord, Flute and Violin in A minor, BWV 1044: III. Alla breve. By Johann Sebastian Bach - Bob van Asperen, Helmut Winschermann, German Bach Soloists, Paul Meisen & Rainer Kussmaul.
Helmut Walcha’s remastered-for-CD The Art of Fugue was recorded in stereo in 1956 as part of a complete survey of Bach’s organ works, a project that spanned 15 years from 1956 to 1971. In listening to that release, along with others for comparison purposes, I kept coming back to Walcha for his august allocution of this monumental edifice that Bach erected to musical art and science. Bach left us to ponder a number of mysteries in his unfinished testament to canon and fugue. Writing out the pieces in open scoring-each part to its own staff-he inconveniently forgot to tell us what instrument or instruments he had in mind for performing them.
Bach’s unfinished Art of Fugue, published for still-debated reasons in open score, has been performed and recorded in dozens of different instrumental versions
By Johann Sebastian Bach (1685-1750). Arranged by Helmut Bornefeld. Composed by Johann Sebastian Bach (1685-1750). Ries & Erler Musikverlag Published by Ries & Erler Musikverlag (P. E40502).
Majestic Austere Cerebral Intense Pure Refined. Bach: The Art Of Fugue. Helmut Walcha's 1956 recording of Johann Sebastian Bach's The Art of Fugue was the first stereo outing for Deutsche Grammophon, rightly regarded as one of the crowning achievements of the blind German organist who memorized Bach's entire catalog of organ works. Walcha performs on the 1725 Franz Casper Schnitger organ at the Laurenskerk in Altmaar, The Netherlands, one of the best preserved of all Baroque organs; its soundboards, keyboard, and most of the pipes are original to the 1720s
The Art of Fugue (or The Art of the Fugue; German: Die Kunst der Fuge), BWV 1080, is an incomplete musical work of unspecified instrumentation by Johann Sebastian Bach (1685–1750). Written in the last decade of his life, The Art of Fugue is the culmination of Bach's experimentation with monothematic instrumental works.
|Simple Fugues (4-Part)|
|A1||Contrapunctus 1 Strings|
|A2||Contapunctus 3 Woodwinds|
|A3||Contrapunctus 2 Strings|
|A4||Contrapunctus 4 Woodwinds|
|A5||Contrapunctus 14 Harpsichord (Canon Per Augmentationem In Contrario Motu)|
|Fugues In Contrary Motion (4-Part)|
|A6||Contrapunctus 5 Woodwinds, Strings|
|B1||Contrapunctus 6 Strings, Woodwinds (In Stile Francese)|
|B2||Contrapunctus 7 Strings, Woodwinds (Per Augmentationem Et Diminutionem)|
|B3||Contrapunctus 15 Harpsichord (Canon Alla Ottava)|
|B4||Contrpunctus 12 (A 4) 2 Harpsichords A. Rectus - B. Inversus|
|B5||Contrapunctus 13 (A 3) 2 Harpsichords A. Rectus - B. Inversus|
|B6||Contrapunctus 16 Harpsichord (Canon Alla Decima, Contrapuncto Alla Terza)|
|Double And Triple Fugues|
|C1||Contrapunctus 9 (A 4) Strings (Double Fugue - All Duodecima)|
|C2||Contrapunctus 10 (A 4) Strings, Woodwinds (Double Fugue)|
|C3||Contrapunctus 8 (A 3) Strings, Woodwinds (Triple Fugue)|
|C4||Contrapunctus 17 Harpsichord (Canon Alla Duodecima In Contrapuncto Alla Quinta)|
|C5||Contrapunctus 11 (A 4) Strings, Woodwinds (Triple Fugue)|
|Trio Sonata In G Major, BWV 1038|
|Trio Sonata In C Major, BWV 1037|
- Recorded By – Erato
- Bassoon – Henning Troog (tracks: A1-C5)
- Cello – Betty Hindrichs (tracks: D1-D8)
- Conductor – Karl Ristenpart (tracks: A1-C5)
- English Horn – Egbert Gutsch (tracks: A1-C5)
- Flute – Maxence Larrieu (tracks: D1-D8)
- Harpsichord – Huguette Dreyfus (tracks: A1-C5), Robert Veyron-Lacroix (tracks: A1-C5), Ruth Christensen (tracks: D1-D8)
- Oboe – Helmut Winschermann (tracks: A1-C5)
- Oboe d'Amore – Ingo Goritzki (tracks: A1-C5)
- Sleeve Notes – Peter Willemoës (tracks: Peter Willemoes)
- Violin – Georg Friedrich Hendel (tracks: D1-D8), Klaus Schlupp (tracks: D1-D8)